A SIMPLE LANDSCAPE
generative music app (macOS) , 2021
Generative music is a form of music in which a piece of music creates itself from an initial set of musical elements and behaviours and rules defined by the composer and/or a system (natural or artificial). It is an “approach to music creation concerning itself with neither improvisation nor explicit composition, but rather with framing an indeterminate system from which music can emerge” (Priestley, 2014, p. 1). It is therefore not a musical genre or style on its own but rather a compositional practice where the composer is more concerned with creating or discovering a system or a process – physical or virtual – that will then generate the music autonomously of the composer, than with writing the composition from start to finish in the traditional sense. In generative music the role of the composer could be seen more as that of a gardener than an architect, to use Brian Eno’s analogy (Edge, November 10, 2011). Or to borrow another metaphor of his, “generative music is like trying to create a seed, as opposed to classical composition which is like trying to engineer a tree” (Toop, 2004, p. 182). (1)
Having these definitions as starting point, a simple landscape is a macOS app created with generative techniques to bring a continuous ethereal movement of ambient music aiming to achieve a relaxed environment.
The listener is in control, as long as he wants the piece will continue to generate, a computer private concert.
(1) https://ilpojauhiainen.com/writings/generative-music/
get it here
METAMORFOPSIAS
Rádio Estação, março 2021Peça generativa criada para a Rádio Estação para o fim de emissão (1-9h).
“(...)Composta com o software Max /MSP e utilizado software da Native Instruments, Eventide, INA-GRM e “field recordings” do autor.
Tendo como ponto de partida a Raga Harikauns, metamorfopsias é uma peça generativa que usa o software Max/MSP como maestro de uma orquestra imaginária. Fornecidos os vetores, este maestro cria com temperamento e é influenciado pela progressão do tempo. Ao longo da peça cria e desconstrói a partitura, manipula de forma aleatória e espontânea instrumentos virtuais, vozes e gravações de campo, com o fim de induzir ao ouvinte percepções distintas destes elementos.
Durante o mês de março transmitimos os 4 momentos que integram esta longa peça de Manuel Guimarães, totalizando 32 horas de composição contínua (8h x 4), e numa cadência de um novo momento todas as terças-feiras de madrugada.”
Poderá escutar os diferentes momentos referentes a esta peça clicando nos links abaixo.